Sinai – Dahab’s other story…

I’ve separated this post from the last one.  The story is the kind thing that doesn’t make it into travel copy – ‘Social commentary, we don’t have the word count…etc…’

As I described, for visitors Dahab is a funky beach stay – excellent dives sites (the Blue Hole and others) and, even for those packing British Pounds, it’s relatively inexpensive.  However, dig down and there’s another narrative.

Dahab is a Bedouin town.  Egyptians and Bedouins are, to quote local sources, ‘completely different.’  Egyptians don’t understand Bedouin language, and their brasher, noisier lives are at odds with local custom.  These differences have reinforced mistrust and resentment.  Ongoing violent incidents, mostly in the north of Sinai, are in part both a symptom and a cause of this mistrust.

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Beach cafe development in Dahab’s ‘Lighthouse’ area

Across Sinai access to tribal lands is being restricted.  The authorities have banned private 4×4 vehicles.  Check points and physical barriers have been erected to close off wadis.  For an historically nomadic people these attempts to control movement are an affront.  The police would say their actions are designed to inhibit smuggling and improve security.

In Dahab houses built on land where title is disputed have been bulldozed, sometimes before the contents have been removed.  Such properties are generally inhabited by poor people.  The Egyptian legal system, in common with others, does not favour those of limited means.  Cleared sites await redevelopment by whom?  Elsewhere, blatantly illegal beachfront development, mostly Egyptian-owned bars and cafes, is tolerated.  You have to ask why?

Foreign-owned businesses describe incidents where jealous neighbours have instigated malicious prosecutions.  Reports of systematic police harassment resulting in imprisonment and even deportation are commonplace.  Shopkeepers in Dahab are being obliged to install CCTV – for many a considerable expense, and to what end?

On a street corner I asked a young Egyptian man about the revolution. ‘The revolution is finished, over,’ he replied.  ‘What’s changed?’ I asked.

‘Nothing changed.  Nothing good for Egyptian people,’ he said.

In Dahab overweight plain clothes policemen lounge in cafes, watching people, and eating free food.  Their jackets fall open to reveal holstered weapons.  ‘It’s a police state,’ say many residents.  The 2011 revolution and the 2013 military coup have been removed from Egypt’s secondary school history curriculum.  What’s unsaid speaks volumes.


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4 responses to “Sinai – Dahab’s other story…”

  1. Jack Barker Avatar

    Sad read. Was in Dahab 30 years ago (full Bedouin) then 15 years later, by which time it was undergoing a less palatable takeover by languid Europeans in flat-bed bars. Sorry to hear the trajectory has continued.

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    1. Nick Redmayne Avatar

      Hi Jack, Dahab has stepped, or been shoved, back from the brink. There are fewer Europeans now, though white residents and ‘winter people’ are a visible minority. Someone described the foreign Dahabis as ‘a bunch of people being lost together.’ Perhaps it’s true. Egyptians make up the majority of visitors. Good and bad, this has its impact. We can’t be sad about Dahab. Be sad about Sharm el Sheikh. It used to be a beautiful piece of semi desert…

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  2. Stuart Forster Avatar

    Interesting to read your observations. I have not been back to Egypt since the 2011 revolution but I’ve occasionally wondered about the legacy of the seemingly tumultuous change.

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    1. Nick Redmayne Avatar

      Hi Stuart, I’ve blogged about the Egyptian revolution previously on the Irresponsible Traveller. Scroll down if you’re interested. Hopes were raised, people died, ultimately nothing changed. In fact the level of oppressive security is probably higher now than in Mubarak’s day – snitches, informers and plain clothes ‘police’ are everywhere. Political freedom is barely visible to the naked eye. The judicial system is used as a tool to maintain power. Press ‘freedom’ doesn’t exist. ‘Meet the new boss. Same as the old boss.’ (Apols to ‘The Who’)

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